Category Archives: Talking Textiles

Fabric, cloth, textile, material

SALA Festival 2017

SALA Festival 2017: Textiles

Each year in August Adelaide turns into a big art gallery when SALA – The South Australian Living Artist Festival – takes over every conceivable exhibition space in and around town.

Textiles, as a medium has been growing in popularity over the years and in 2016 it matured enough to be given its own category on the program after outgrowing its shared space in the mixed media category.

To ensure that you don’t miss any of the fabulous textile exhibitions this year, I’ve listed them here. Why not make a day or a weekend of it, and see them all.

aatfa-fashion.jpgEvent: AATFA Fashion Exhibition
Venue: Art Gallery of South Australia
Description: Showcasing stylish couture designed and created by South Australian category winners from the Apex Australia Teenage Fashion and Arts Festival.
Dates: 21-27 August
Link: http://www.artgallery.sa.gov.au/agsa/home

Here and nowEvent: Here and Now
Venue: Multicultural Communities Council of SA
Artist(s): Haneen Martin, Sorayya Martin
Dates: 8-25 August
Link: http://www.mccsa.org.au/

Aviarius - Barbara MullanEvent: AVIARIUS: concerning birds
Venue: Embroiderers’ Guild of SA Gallery
Artist(s): Members of the Guild
Description: Funky feathered friends rendered in fabulous textile form. Contemporary embroidery takes flight in the exhibition.
Dates: 4-12 August
Link: http://www.embguildsa.org.au

Goose Island Jules AbbottEvent: Goose Island & The Murray
Venue: The Conservatory Garden and Home, Unley
Artist(s): Jules Abbott
Description: This series of textile work is inspired by the various & different ecosystems that comprise the wetlands of the Murray Mouth
Dates: 1-31 August
Link: http://www.julesabbott.com.au/

Felting Jennifer GunsonEvent: Felting at Freshfield Farm Studio
Venue: Freshfield Farm Studio. 236C McHarg Creek Rd via Ashbourne
Artist(s): Jennifer Gunson
Description: Art work and felting demonstrations
Dates: 1-30 August
Link: https://www.facebook.com/FeltingFrenzy/

warp and weft Helen BennettsEvent: Warp and weft
Venue: Aroona Studio. 99 Gaffney Rd Willunga
Artist(s): Helen Bennetts
Description: Handwoven rugs, scarves, and bands; wool, silk and cotton; hand-dyed and natural. Created in a studio amongst the vines and olives
Dates: 13 August
Linkhttps://www.salafestival.com/program/1168/

Beauty colour and texture Vicki SmithEvent: Beauty, Colour and Texture
Venue: Talunga Estate
Artist(s): Vicki Smith
Description: Vicki Smith uses textiles and threads to capture aspects of nature’s diverse beauty, both minute and vast with emphasis on colour and texture.
Dates: 4-28 August
Link: http://www.talungaestate.com.au/

Chaos Dianne DownerEvent: Chaos
Venue: The Barker Hotel. Mount Barker
Artist(s): Dianne Downer, Chris Jeffereys, Deirdre Bruen, Rikie Klasson, Janene Overton
Description: Nature plays havoc with our world. The Artists express nature in beauty and disaster using textiles
Dates: 1-31 August
Linkhttps://www.salafestival.com/program/764/

Lisa WallerEvent: Colours of the Country 111
Venue: Port Pirie Regional Art Gallery
Artist(s): Indigenous artists from the Central Desert region
Description: This collection of Beanies, demonstrates the growth of the Beanie as an art form and highlights works by Indigenous artists from the Central Desert region proudly presented by Artback NT: Arts Development and Touring and The Alice Springs Beanie Festival.
Dates: 14-27 August
Link: http://www.pprag.org/

Entwined Nolda BeynonEvent: Entwined
Venue: Stump Hill Gallery, McLaren Vale & Fleurieu Visitor Centre.
Artist(s): Chris Beck, Lynette Brown, Jenny Gunson, Lili Haas, Trish Harding, Penny Henschke, Pam Kelly, Sue Lockton, Kaye Oliver, Hilary Bedson, Nolda Beynon, Deborah Cantrill, Gem Congdon, Lyn Coombe, June Faulkner, Alana Gregory, Judy Grey-Gardner, Laima Guscia, Pauline Hunter, Maxine Jones, Bron Lowe, Bev Manthey, Teresa Martin, Sylvia Piddington, Anne Quigley, Liz Regan, Joy Shierlaw, Julie Spry, L.Merea Tsatsaronis, Erica Walker, Pam White, Beth Wiley, Jenny Williams, Victoria Wilkins, Liz Yates.
Description: Class Act Collective and Basketry South Australia have collaborated to interlace a feast of plants, fibres, threads and textiles into a contemporary showcase that will embellish the tapestry of your life. It was as if these two arts evolved to be together, not at all unfamiliar, en-twine-d as one. A vine climbs a trellis coiling itself around a wire, birds weave twigs to form nests, and fingers entwine with green strands of soft grasses.
Dates: July 28 – September 3
Link: https://mclarenvale.info/art/stump-hill-gallery

T'ArtsEvent: Artists in the window
Venue: T’Arts Collective, Gays Arcade
Artist(s): members of T’Arts Collective
Description: Each day members of T’Arts Collective will demonstrate their art practice in our shop window. Come along and meet the artists at work.
Dates: 1-26 August
Link: http://www.tartscollective.com.au/

Trevor SmithEvent: Around the world and beyond
Venue: Naracoorte Art Gallery
Artist(s): Trevor Smith
Description: A collection of crochet tea cosies by the Crochet King
Dates: 11 August – 17 September
Linkhttps://www.facebook.com/trevorsmithcrochet1961/

Sera WatersEvent: Domestic Arts
Venue: ACE Open, Lion Art Centre
Artist(s): Sera Waters
Description: This exhibition attempts to unravel the complex category labelled as ‘domestic arts’ and the role that it has played in generations of Australian colonial home-making. ‘Domestic Arts’ reimagines the familial home as a site for celebration and critique; and one that questions the ongoing traditions of colonial settling. In doing so, the exhibition reveals the ethical entanglements within otherwise innocuous home-craft, and that these methods of making are rich repositories of inherited knowledge.
Dates: 20 July – 26 August
Linkhttps://aceopen.art/

Pepper Street Jacqueline IsaasonEvent: The Art of Crafts
Venue: Pepper Street Art Centre
Artist(s): Jonathan Bowles, Lynette Branson, Lyndy Danby, Melissa Duncan, Jeninda Fletcher, Julie Frahm, Suzy Gilbert, Melissa Gillespie, Ursula Goetz, William Herkes, David Huntley, Jacqueline Isaacson, Marzena Kaczmarek, Fran Kernich, Jenny Knight, Peter Kroehn, Anne Martin, Julie McCutcheon, Francie Mewett, Mario Niesingh, Christine Pyman, Rima Rowe, Marilyn Saccardo, Moira Simpson, Anthea Smith, Paul Smith, Joan Stratford, Erik Tils, Phyllis Williams, Victoria Yurkova, Jane Alyce Humphreys, Rachel Hare.
Description: An exhibition celebrating the brilliance of craft-workers in our community. Art and craft will be on display by over 30 artists including textiles, jewellery, ceramics/pottery, sculpture, woodwork and more. There is a variety of high-quality jewellery pieces using precious stones and metals, all by accomplished jewellery artists. There will be stunning sculptural pieces crafted from stone, wood, mosaics and metal featured as well. Some of the skilled textiles on display are a must see.
Dates: 1-25 August
Linkhttp://www.pepperstreetartscentre.com.au/

Sisters Sandi HillEventSister Art Presents – A Squabble of Seagulls
Venue: Tarooki Studio, Port Elliott
Artist(s): Sandi Hill, Proo Geddes, Alison Waye, Maggie Lucas
Description: Four artists present works in acrylics, oils, water colours and textiles all blended to create a feast for the senses
Dates: 31 July – 31 August
Linkhttps://www.salafestival.com/program/834/

Soft Spot Hard feelings Deborah Prior AnnaHorneEvent: Soft Spot, Hard Feelings
Venue: Holy Rollers Studio, Prospect
Artist(s): Ray Harris, Anna Horne, Matt Huppatz, Deborah Prior, Carly Snoswell, Min Wong, Lauren Abineri, Thomas Capogreco, Alison Currie, Ray Harris, Pony Horseman, Celeste Juliet, Henry Jock Walker, Winter Witches, Sundari Carmody, Luke Wilcox
Description: Soft Spot, Hard Feelings is an exhibition and performance event, an open exploration of materiality, meaning, emotion, and intention. It brings together diverse Adelaide artists whose chosen materiality may appear either predominantly hard or soft (or a combination) but whose meaning and intention subsists inside, outside, through and around. Joining together things that seem opposing or binary but in actuality our experience lays oscillating, thrusting itself between a soft spot and a hard feeling.
Dates: 1-19 August
Linkhttps://www.salafestival.com/program/1305/

Cabinet Emma HackEvent: A Cabinet of Curiosities
Venue: Emma Hack Gallery
Artist(s): EmmaHack
Description: a collection of new, ground-breaking body artworks, porcelain sculpture, embroidered hand prints and textured woven tapestries feature a journey into form and texture. A pop-up gallery, placed in the beautiful Rundle Place level 1 foyer.
Dates: 11 August – 2 September
Linkhttp://www.emmahackgallery.com/

Michelle JahnEvent: It’s a Wash
Venue: Lightfoot Eco Store, Port Adelaide
Artist(s): Michelle Jahn
Description: A visual display of water themes, with a mixture of poetry, natural dyes on silk and cotton textiles, ink and paint wax drawings and multimedia. The techniques used to make the artworks are all focused on water conservation and sustainability. There will be wall-hangings of silk cascading down walls and a variety of framed pieces that are sure to delight.
Dates: 11-30 August
Linkhttp://www.exclusiveilluminations.com.au/

Cheryl MasqueradeEvent: Masquerade
Venue: Beltana House
Artist(s): Cheryl Bridgart
Description: Mystery, intrigue and fantasy, you are invited to an inspiring visual experience as Cheryl showcases her latest colourful, loud & playful fine art embroideries, paintings and garments. Taking inspiration from dreams of Venice her meticulously stitched masks form art works representing our individual uniqueness, embracing our vulnerabilities and exposing our personalities, pain, frustration, cultural beliefs, secrets, needs and goals. Don’t hide “Be yourself, everyone else is taken” Oscar Wilde.
Dates: 13-27 August
Linkhttps://wellmade.com.au/creative-practitioners/cheryl-bridgart

Disquiet India FlintEvent: Disquiet
Venue: Murray Bridge Regional Gallery
Artist(s): India Flint
Description: This exhibition makes reference to deforestation, climate change, the gradual shifting of Goyder’s line and to the changing landscape of the state of South Australia. Works include installations using bones, wild-harvested mud and the detritus of human habitation and farming as well as pieces for the wall using plant dyed cloth and paper. A sound piece created by the artist adds a further dimension.
Dates: 21 July – 27 August
Linkhttp://www.murraybridgegallery.com.au/

There are several other group- or community-exhibitions that also include some textile work. I’ve only featured the ones that are mainly textiles.

Feel free to give your feedback and impressions of the exhibitions you’ve visited in the comments. For more information on each venue, refer to the SALA Festival program.

*Images from the SALA Program, copyright belongs to the respective photographers.

 

Telling Stories

The St Peter’s Cathedral, a magnificent building standing watch over Adelaide’s CBD, is home to many a treasure. Its grand interior with stained-glass windows, carved woodwork, mosaic floors, and historical banners is the perfect backdrop for the Telling Stories Exhibition.

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Julie Haddrick at St Peter’s Cathedral

This is a three-artist exhibition showcasing paintings by Maz Gill-Harper from Tasmania, clay sculptures by Mark Pearce from South Australia, and textile artwork by Adelaide based quilt artist extraordinaire, Julie Haddrick.

The theme Telling Stories encompasses the work of these three artists perfectly.

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Maz Gill-Harper’s paintings depicting the parables as they appear in the Gospels are visual representations of the stories told by Jesus to his followers. It contains texts, images and symbols, turning each artwork into a spiritual journey rather than just a painting.

Telling stories as teaching.

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Mark Pearce’s sculptures depicting the apostles, grab the viewer’s heart and attention drawing you into the emotional life of each man. They radiate the spiritual path and soulful journey of each of these biblical characters.

Telling stories as a spiritual journey.

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But it is Julie Haddrick’s work which shouts with joy. Her vast wall-hangings are filled with colour and life. Using hand-dyed, painted, printed and stencilled fabric, she creates visual feasts depicting God’s creation in all its glory. From the vast work encompassing all of the creation right down to detailed images of treasured feathers.

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Julie uses symbols and metaphors to tell her stories. Her work is filled with detail – some of them meticulously sketched with layered fabric like the wedge-tail eagle, others only suggested in the quilted lines on the backgrounds and in the borders.

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Julie’s work is influenced by the Japanese philosophy of Wabi Sabi which embraces transience, imperfection and the impermanent. She subscribes to the sentiment of ageing gracefully and appreciating beauty in decline. Her treasures include feathers, shells and broken shards of china.

Telling stories as worship.

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This exhibition forms part of The Adelaide Fringe and will be on display until March 5, 2017. The cathedral is open every day, with artist talks daily at 11 am, 1 pm, and 3 pm.

*All images were taken at St Peter’s Cathedral and depicts small details from Julie Haddrick’s work. Published with the artist’s permission.

 

 

Assemblage by Basketry SA

007This is one of those cases where I don’t need to say much – the pictures speak for themselves.

Assemblage brought together all the strands of experience, skill and creative energy of the members of Basketry SA. It was held at Urrbrae House on the Waite campus of the University of Adelaide from 14-28 February 2016.

 

 

Rebecca Edwards

Rebecca Edwards

Liz Yates

Liz Yates

Laima Guscia

Laima Guscia

Laima Guscia

Laima Guscia

Ira Grunwald

Ira Grunwald

Gem Congdon

Gem Congdon

Gem Congdon

Gem Congdon

Deb Cantrill

Deb Cantrill

Christine Ford

Christine Ford

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Wanderings with Fibre Art Network

WANDERING – To move about without a definite destination or purpose. To go by an indirect route or at no set pace. Amble. Meander.

Wandering also sounds just like Wondering, which according to the dictionary, means fascinated, curious and enthusiastic.

FAN Wanderings Chris Beardsley Fleurieu Meander

Fleurieu Meander – Chris Beardsley

And that is a perfect description of the art and artists represented here – 55 works by 35 members of FAN (Fibre Artist Network).

Although ‘fibre art’ is often perceived as a very narrow niche, with many limitations, the array of work produced by fibre artists is limited only by their imagination. With techniques ranging from hand and machine embroidery, felting, lace, and quilting,  to printing, stamping, dyeing, painting, and beads, as well as knitting and crochet, mixed media, feathers, and basketry, a common theme can be interpreted in countless ways.

In this case, the limitations were the theme ‘wanderings’, the size of the artwork (max 24ʺ or 61cm wide) and a time frame of around 18 months in which to plan, design and produce the work.

FAN Wanderings Alvena Hall Arboreus in Brachina

Arboreus in Brachina – Alvena Hall

Bev Bills (OAM), RSASA director and founding member of FAN, opened the exhibition with a short glimpse into the history books. The initiative came from Alvena Hall, who invited a group of fellow fibre artists to an informal meeting back in June 1994. The aim was to meet informally, without agenda, to promote local and interstate fibre art. FAN was born at that meeting and grew from strength to strength, with many significant South Australian textile personalities as past and present members.

Meetings were held at different venues and supported by galleries, guilds, and academic institutions. FAN meetings are currently held four times a year in February, May, August and November at Marden Senior College, under the leadership of Suzanne Gummow.

FAN Wanderings Margaret Carberry Citrus Vessel

Citrus Vessel – Margaret Carberry

In the current exhibition, as the theme and the background suggest – the work on display covers a very wide spectrum of techniques and materials, and even include a few three-dimensional works. Wendy Redden’s WAVES and Margaret Carberry’s CITRUS VESSEL stood out for me.

FAN Wanderings Madelaine Hedges Op Shop Mandala

Op Shop Mandala – Madelaine Hedges

A few of the works are by current Marden College textile students and I was excited by their eagerness for experimenting and playing with materials and techniques. Their wanderings are fresh and full of enthusiasm. I particularly liked the techniques used by Tanya Davies in WILD WEEDS: DANDELION and Chris Beardsley’s use of natural dyes in FLEURIEU MEANDER.

FAN Wanderings Wendy Redden Waves

Waves – Wendy Redden

Then there are the works by established artists like Madeleine Hedges, Alvena Hall, Joy Harvey and Cathy Boniciolli among others, which delights with their years of experience combined with their confidence in exploring new unknown territory.

But I guess that is what wanderings is all about – to be sure footed even when the destination is unknown.

Wanderings is on at Gallery M in Marion until 6 March 2016.
To learn more about FAN contact Suzanne Gummow.

 

Lao-Tai Textiles by Patricia Cheesman

LAO-TAI TEXTILES:
The Textiles of Xam Nuea and Muang Phuan by Patricia Cheesman
Published by Studio Naenna Co Ltd, Chiang Mai, Thailand.
ISBN: 974-272-915-8

AUTHOR:
Lao-Tai Textile book coverPatricia Cheesman has spent the past 30 years conducting in-depth research on Lao and Thai textiles. She is the author of several books and articles on the subject and has contributed to many international exhibitions.

Born in Singapore and educated in the UK, Patricia lives in Chiang Mai, Thailand where she teaches at the Chiang Mai University in the Thai Art Department. She works with the Weavers for the Environment Group and owns the Studio Naenna Textile Gallery where she conducts workshops in natural dyes and design.

FORMAT AND LAYOUT:

The book measures 210mm x 285mm is bound in soft cover and has 297 pages.

Lao-Tai Textile book mapPHOTOS, ILLUSTRATIONS AND DIAGRAMS:
This book contains everything I expect from a good textile book:

  • Maps to put the information into geographical context
  • Lao-Tai Textile book pages 3Loads of photographs. A few in black-and-white but mainly colour photographs which include detail shots of the textiles and designs, photos of the local people wearing, making and caring for the textiles, as well as lovely story pictures – photos of the community in which these textiles are made, loved and used.
  • Diagrams and sketches showing the construction of some of the garments as well as some of the weaving equipment.

All in all, this book is comprehensively illustrated and contains valuable visual documentation of the Lao-Tai textiles.

CONTENT:
“My deepest thanks go to all the weavers, villagers and shamans who have patiently answered my enquiries, received me in their homes and guided me in my search for information.”

This opening sentence sets the tone of the whole book. Patricia shares her vast knowledge of the textiles, the history, and the people of this remote part of the world, with a tangible measure of respect, gratitude and humility. It is obvious that she not only loves her subject but that she has an affinity for the whole culture and lifestyle surrounding it.

Lao-Tai Textile book pages 2The book starts with the author’s acknowledgements and background notes on how her research was conducted, how she set the parameters for the book, and how the fact that she grew up in Asia and is fluent in the Lao language informed her research. Maps showing the current and historical ‘lay of the land’ further aids the reader to understand the subject matter.

The first three chapters of the book look at the geographical and historical setting of the Lao-Tai culture as well as how these factors influenced the different classifications of textiles in the region.

Lao-Tai Textile book pages 1Chapter 4 gives background information about the Lao-Tai culture. The different gender roles, religious ceremonies, wedding and burial ceremonies, as well as the role of local food and architecture, can be seen to influence the different textile designs.

Chapter 5 to 7 give detail insights into the different garments worn by both men and women of the different clans. These chapters are beautifully illustrated with photos and diagrams.

Lao-Tai Textile book pages 8Both the Shamanic and Buddhist religions had a great influence in the design and use of textiles and Chapter 8 goes into great detail describing and illustrating each piece of textile used during religious ceremonies.

Household textiles holds a special appeal for me and Chapter 9’s descriptions of the pillows, blankets, curtains and other household items used by the Lao-Tai people, must be my favourite part of the book.

Lao-Tai Textile book pages 10Chapter 10 is all about technique, showing detailed photos of the dyeing and weaving processes used by the artisans. It also shows how both silk and cotton are cultivated and prepared for dyeing and weaving. I love how the background colour of these pages add to the lush feel of the natural dyes.

Lao Tai Textile book pages 12Chapter 11 describes the different symbols, designs and motifs depicted in the textiles. Again beautifully illustrated with detail photographs.

The book concludes with three Appendixes explaining the intricacies of the Lao-Tai languages. Essential information in understanding the names and descriptions of the different textiles.

CONCLUSION:
Lao-Tai Textile book pages 9This is a beautiful book with loads of photos. It shows the textiles from a technical point of view as well as a cultural point of view. It puts the textile in the context of its origin. The place, the people and the history. But that is not all. This is not just a look-book – it is a read-book. It is beautiful and you can keep it on your coffee table, but when you go to bed, take it with you and actually read it. It is rich in information and beautifully written. It is obvious that Patricia loves her subject matter. Both the textiles and the community form which it comes.

If you love textiles, books, travel, culture and beautiful pictures – this is your kind of book.

Order your copy today.
Read more about my visit to Studio Naenna

 

 

Dare to Differ 2015

From the point where you enter the gallery, it is clear that this is not your average quilt show. If you were expecting log cabins and pin-wheels you are in the wrong place.

According to Suzanne Gummow, one of the judges and organisers of the exhibition, for the purpose of this show, the definition of a quilt is that it must be predominantly fibre, be composed of at least two distinct layers, and be stitched together throughout.

That sounds simple enough until you look around and see in how many diverse ways this has been interpreted.

D2D 2015 Samantha Pope CBD

CBD Pojagi

Samantha Pope’s CBD Pojagi is the star of the show. On first glance, it is obviously a map of Adelaide CBD, with familiar landmarks like Victoria Square and the green belt easily identifiable. True to the purpose of a map, it is the first thing you look at when entering as if trying to find your way around. But also true to the purpose of a map, its sheer fabric lets you see what is beyond – opening the way towards the rest of the exhibition. The fusion of what is familiar (Adelaide) with what is foreign (pojagi) embodies not only the spirit of our city but also the spirit of the exhibition – the familiarity of quilts with the unfamiliarity of the Dare to Differ interpretations.

D2D 2015 Wendy Thiel Art in the Negative Space

Art in the Negative Space

Following the layout of the room, the first work you will come across is fellow judge and organiser, Julie Haddrick’s Garden path. Her use of Japanese fabric is the start of a subtle theme which recurs three more times.

Wendy Thiel’s Art in the Negative Space is one of the larger works and one of the few which reminds of a traditional quilt. Her use of white as negative space emphasising the art of the printed Japanese fabric, as well as her choice of quilt design inside the white areas, are very effective.

D2D 2015 Betty Morse My Chiku Chiku

My Chiku Chiku

Staying with the Japanese theme, Betty Morse’s My Chiku Chiku creates quite the opposite effect. Filled to the borders with printed fabric, it dares the eyes to become overwhelmed, but the order and stillness of the sashiko stitching are calming on the eyes and restores order. Her work is inspired by renowned sashiko artist Akiko Ike.

Julie Abbott’s Circles gives yet another interpretation of Japanese design. She uses the simple form of circles in well-ordered rows and let the fabric design take centre stage.

Moving away from the Japanese theme, a few others stood out for special mention:

D2D 2015 Madelaine Hedges Homage to Thoth

Homage to Thoth

Madeleine HedgesHomage to Thoth is excellent both in design, choice of materials and execution. Thoth, the Egyptian god of wisdom is usually depicted as an ibis-headed creature which Madeleine interpreted by using Ibis feathers collected along the Torrens River, combined with ibis printed sheer fabric. Two things in this work stand out to me: The subtlety with which Madeleine manages to combine her Egyptian roots with her Adelaide life via the iconic Ibis, and the judges’ decision to place the work in the exact spot where the draft from the AC continuously stirs the ibis feathers ever so slightly. It adds an extra dimension to the work and brings it to life.

Was that intentional?

D2D 2015 Valerie Robinson Prehistory  Women

Prehistory – Women

Two works that touched me with the understated way in which the artists used limited colours and well thought out stitching, conveying a deeper story, are Alison Muir’s Carbon Sink 2, and Valerie Robinson’s Prehistory – Women. When you look at it, take your time and really study the way every stitch is intentional and every slight colour change has a deeper meaning. Both are exceptional works.

D2D 2015 Margaret Knapp The gallery experience

The Gallery Experience

Margaret Knapp’s The Gallery Experience is a true experience and needs to be studied in detail. She celebrated the graduating exhibition for students of 2012 Cert IV Visual and Arts Course at Marden. Her work is built up with three layers consisting of a traditional quilted foundation layer and two layers of appliqued clear organza. The space between the layers adds to the feeling of the depth of the gallery and the movement of the visitors. The ‘art in the gallery becoming art in the gallery’ concept is intriguing and well executed. She deservedly received the Encouragement Award sponsored by Sue’s Sewing World.

D2D 2015 Joy Harvey Doorway

Doorway

Joy Harvey’s Doorway is a striking piece of highly detailed contemporary reverse applique – a technique Joy has perfected and made her own. Based upon one of the countless doorways of the Alhambra in Spain, Joy reworked the design to ‘bring it home’ and make it her own. By incorporating elements of local architecture and heritage, like inserting the inscription ‘Ut Prosint Omnibus Conjuncti’ (United for the common good) from the Adelaide coat of arms, Joy succeeded in creating something truly local, yet ultimately exotic, like only she can.

There are 44 works in the exhibition. Each one is deserving and worth exploring. The well thought out way in which Suzanne and Julie curated the exhibition, placing each work in a way that fully expresses its artistic merits, is exceptional and worth mentioning.

Don’t miss Dare to Differ 2015. Go and see it. But take your time – the more you look the more you see. The quilts on show are definitely different, and truly daring.

*Featured image: Circles by Julie Abbott

Dijanne Cevaal – Sentinelles

Sentinelles is a concept inspired by Dijanne’s spiritual connection to the land. The colours of the hand-dyed fabric reflect the colours of the Australian landscape while the hominid form gives homage to her European heritage. The haloed female form appears across religions and cultures to depict a sense of reverence, holiness and spirituality. Dijanne chose the word Sentinelles, which means to watch over, as opposed to Guardians, which also implies taking care. Sentinelles only observes. It is for us to act. To take care of the environment, the land, the earth.

What started out as a solo artwork has grown into a collaboration. Dijanne made several hand-printed Sentinelles and made them available to her students both in Europe and Australia to embellish. Each person brought their own personality and style to their piece.

The collection has travelled extensively in France and Australia and will soon go back to Europe for a new round of exhibitions. We were fortunate enough to experience this collection at the Craft and Quilt Fair this past weekend.

With Dijanne’s permission, I took a few close-up photos to focus on the magnificent use of colour and personal interpretation represented in this exhibition.

Go forth and be inspired.

Sentinelle 1 Sentinelle 2 Sentinelle 3 Sentinelle 4 Sentinelle 5 Sentinelle 6 Sentinelle 7 Sentinelle 8 Sentinelle 9 Sentinelle 10 Sentinelle 11 Sentinelle 12 Sentinelle 13 Sentinelle 14 Sentinelle 15 Sentinelle 16 Sentinelle 18 Sentinelle 19 Sentinelle 20 Sentinelle 21 Sentinelle 22 Sentinelle 24Read more about Dijanne’s work, her future projects and her new book here.