Tag Archives: Gallery M

Wanderings with Fibre Art Network

WANDERING – To move about without a definite destination or purpose. To go by an indirect route or at no set pace. Amble. Meander.

Wandering also sounds just like Wondering, which according to the dictionary, means fascinated, curious and enthusiastic.

FAN Wanderings Chris Beardsley Fleurieu Meander

Fleurieu Meander – Chris Beardsley

And that is a perfect description of the art and artists represented here – 55 works by 35 members of FAN (Fibre Artist Network).

Although ‘fibre art’ is often perceived as a very narrow niche, with many limitations, the array of work produced by fibre artists is limited only by their imagination. With techniques ranging from hand and machine embroidery, felting, lace, and quilting,  to printing, stamping, dyeing, painting, and beads, as well as knitting and crochet, mixed media, feathers, and basketry, a common theme can be interpreted in countless ways.

In this case, the limitations were the theme ‘wanderings’, the size of the artwork (max 24ʺ or 61cm wide) and a time frame of around 18 months in which to plan, design and produce the work.

FAN Wanderings Alvena Hall Arboreus in Brachina

Arboreus in Brachina – Alvena Hall

Bev Bills (OAM), RSASA director and founding member of FAN, opened the exhibition with a short glimpse into the history books. The initiative came from Alvena Hall, who invited a group of fellow fibre artists to an informal meeting back in June 1994. The aim was to meet informally, without agenda, to promote local and interstate fibre art. FAN was born at that meeting and grew from strength to strength, with many significant South Australian textile personalities as past and present members.

Meetings were held at different venues and supported by galleries, guilds, and academic institutions. FAN meetings are currently held four times a year in February, May, August and November at Marden Senior College, under the leadership of Suzanne Gummow.

FAN Wanderings Margaret Carberry Citrus Vessel

Citrus Vessel – Margaret Carberry

In the current exhibition, as the theme and the background suggest – the work on display covers a very wide spectrum of techniques and materials, and even include a few three-dimensional works. Wendy Redden’s WAVES and Margaret Carberry’s CITRUS VESSEL stood out for me.

FAN Wanderings Madelaine Hedges Op Shop Mandala

Op Shop Mandala – Madelaine Hedges

A few of the works are by current Marden College textile students and I was excited by their eagerness for experimenting and playing with materials and techniques. Their wanderings are fresh and full of enthusiasm. I particularly liked the techniques used by Tanya Davies in WILD WEEDS: DANDELION and Chris Beardsley’s use of natural dyes in FLEURIEU MEANDER.

FAN Wanderings Wendy Redden Waves

Waves – Wendy Redden

Then there are the works by established artists like Madeleine Hedges, Alvena Hall, Joy Harvey and Cathy Boniciolli among others, which delights with their years of experience combined with their confidence in exploring new unknown territory.

But I guess that is what wanderings is all about – to be sure footed even when the destination is unknown.

Wanderings is on at Gallery M in Marion until 6 March 2016.
To learn more about FAN contact Suzanne Gummow.

 

Dare to Differ 2015

From the point where you enter the gallery, it is clear that this is not your average quilt show. If you were expecting log cabins and pin-wheels you are in the wrong place.

According to Suzanne Gummow, one of the judges and organisers of the exhibition, for the purpose of this show, the definition of a quilt is that it must be predominantly fibre, be composed of at least two distinct layers, and be stitched together throughout.

That sounds simple enough until you look around and see in how many diverse ways this has been interpreted.

D2D 2015 Samantha Pope CBD

CBD Pojagi

Samantha Pope’s CBD Pojagi is the star of the show. On first glance, it is obviously a map of Adelaide CBD, with familiar landmarks like Victoria Square and the green belt easily identifiable. True to the purpose of a map, it is the first thing you look at when entering as if trying to find your way around. But also true to the purpose of a map, its sheer fabric lets you see what is beyond – opening the way towards the rest of the exhibition. The fusion of what is familiar (Adelaide) with what is foreign (pojagi) embodies not only the spirit of our city but also the spirit of the exhibition – the familiarity of quilts with the unfamiliarity of the Dare to Differ interpretations.

D2D 2015 Wendy Thiel Art in the Negative Space

Art in the Negative Space

Following the layout of the room, the first work you will come across is fellow judge and organiser, Julie Haddrick’s Garden path. Her use of Japanese fabric is the start of a subtle theme which recurs three more times.

Wendy Thiel’s Art in the Negative Space is one of the larger works and one of the few which reminds of a traditional quilt. Her use of white as negative space emphasising the art of the printed Japanese fabric, as well as her choice of quilt design inside the white areas, are very effective.

D2D 2015 Betty Morse My Chiku Chiku

My Chiku Chiku

Staying with the Japanese theme, Betty Morse’s My Chiku Chiku creates quite the opposite effect. Filled to the borders with printed fabric, it dares the eyes to become overwhelmed, but the order and stillness of the sashiko stitching are calming on the eyes and restores order. Her work is inspired by renowned sashiko artist Akiko Ike.

Julie Abbott’s Circles gives yet another interpretation of Japanese design. She uses the simple form of circles in well-ordered rows and let the fabric design take centre stage.

Moving away from the Japanese theme, a few others stood out for special mention:

D2D 2015 Madelaine Hedges Homage to Thoth

Homage to Thoth

Madeleine HedgesHomage to Thoth is excellent both in design, choice of materials and execution. Thoth, the Egyptian god of wisdom is usually depicted as an ibis-headed creature which Madeleine interpreted by using Ibis feathers collected along the Torrens River, combined with ibis printed sheer fabric. Two things in this work stand out to me: The subtlety with which Madeleine manages to combine her Egyptian roots with her Adelaide life via the iconic Ibis, and the judges’ decision to place the work in the exact spot where the draft from the AC continuously stirs the ibis feathers ever so slightly. It adds an extra dimension to the work and brings it to life.

Was that intentional?

D2D 2015 Valerie Robinson Prehistory  Women

Prehistory – Women

Two works that touched me with the understated way in which the artists used limited colours and well thought out stitching, conveying a deeper story, are Alison Muir’s Carbon Sink 2, and Valerie Robinson’s Prehistory – Women. When you look at it, take your time and really study the way every stitch is intentional and every slight colour change has a deeper meaning. Both are exceptional works.

D2D 2015 Margaret Knapp The gallery experience

The Gallery Experience

Margaret Knapp’s The Gallery Experience is a true experience and needs to be studied in detail. She celebrated the graduating exhibition for students of 2012 Cert IV Visual and Arts Course at Marden. Her work is built up with three layers consisting of a traditional quilted foundation layer and two layers of appliqued clear organza. The space between the layers adds to the feeling of the depth of the gallery and the movement of the visitors. The ‘art in the gallery becoming art in the gallery’ concept is intriguing and well executed. She deservedly received the Encouragement Award sponsored by Sue’s Sewing World.

D2D 2015 Joy Harvey Doorway

Doorway

Joy Harvey’s Doorway is a striking piece of highly detailed contemporary reverse applique – a technique Joy has perfected and made her own. Based upon one of the countless doorways of the Alhambra in Spain, Joy reworked the design to ‘bring it home’ and make it her own. By incorporating elements of local architecture and heritage, like inserting the inscription ‘Ut Prosint Omnibus Conjuncti’ (United for the common good) from the Adelaide coat of arms, Joy succeeded in creating something truly local, yet ultimately exotic, like only she can.

There are 44 works in the exhibition. Each one is deserving and worth exploring. The well thought out way in which Suzanne and Julie curated the exhibition, placing each work in a way that fully expresses its artistic merits, is exceptional and worth mentioning.

Don’t miss Dare to Differ 2015. Go and see it. But take your time – the more you look the more you see. The quilts on show are definitely different, and truly daring.

*Featured image: Circles by Julie Abbott